2008 Woodie Awards
Celebrating 30 years of dance
Kate A. Iezzoni
Issue date: 4/20/05 Section: Entertainment
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This past weekend Asplundh Hall came alive with music, dance and lights to celebrate the 30th annual Dance Production Workshop. Following the theme "Moments Though Time," each choreographed number physically commented on a significant aspect of our history, from fashion and music, to civil rights, AIDs awareness and the September 11th tragedy. The combination of these intertwining themes, from humorous to heart-stopping, helped to move the show along, even through the most difficult subjects.
Particularly poignant numbers were "I Am What I Am" choreographed by Alicia Kelly, which used quotes and songs to speak to the struggle for gay civil rights. "Soul Searching," arranged by first-time DPW choreographer Kirk W. Bixby, was one of the most provocative pieces.Focusing on the tragic Columbine shootings of 1999, Bixbyʼs piece (accompanied by Evanescence "Tourniquet") illustrated social rejection and the possible consequences.
On the upside, several numbers had audience members tapping their feet, cheering and whistling. "Game Over," an anticipated tap dance choreographed by Jennifer Rose re-enacted a Super Mario Brothers game. Complete with set, costumes, props and the unforgettable Nintendo theme song, the creative dance was a show-stealing hit.
Being the 30th anniversary of the workshop, alumni were invited back to perform in several selections. "Dancinʼ Fools" choreographed by Michael Hartman was a flashy number where DPW veterans proved that they can definitely still groove. "Fire" choreographed by Christopher Perez was a dedication to Barbara Lappano, the founder of Dance Production Workshop who had retired last year. Then, Lappano took center stage herself to Billy Joelʼs "Sheʼs Got A Way."
According to Moira Byko, President of Dance Production Workshop, "It has been a lot of fun to share DPW stories and experiences with everyone who has been involved in the organization over the past 30 years." Overall, the production was a spectacular culmination of talent, beauty and skills from all who took part.
Particularly poignant numbers were "I Am What I Am" choreographed by Alicia Kelly, which used quotes and songs to speak to the struggle for gay civil rights. "Soul Searching," arranged by first-time DPW choreographer Kirk W. Bixby, was one of the most provocative pieces.Focusing on the tragic Columbine shootings of 1999, Bixbyʼs piece (accompanied by Evanescence "Tourniquet") illustrated social rejection and the possible consequences.
On the upside, several numbers had audience members tapping their feet, cheering and whistling. "Game Over," an anticipated tap dance choreographed by Jennifer Rose re-enacted a Super Mario Brothers game. Complete with set, costumes, props and the unforgettable Nintendo theme song, the creative dance was a show-stealing hit.
Being the 30th anniversary of the workshop, alumni were invited back to perform in several selections. "Dancinʼ Fools" choreographed by Michael Hartman was a flashy number where DPW veterans proved that they can definitely still groove. "Fire" choreographed by Christopher Perez was a dedication to Barbara Lappano, the founder of Dance Production Workshop who had retired last year. Then, Lappano took center stage herself to Billy Joelʼs "Sheʼs Got A Way."
According to Moira Byko, President of Dance Production Workshop, "It has been a lot of fun to share DPW stories and experiences with everyone who has been involved in the organization over the past 30 years." Overall, the production was a spectacular culmination of talent, beauty and skills from all who took part.
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