The Quad

Issue date: 2/18/08 Section: Entertainment

Colin Farrell may not have the best track record when it comes to his film choices, but by starring in Martin McDonagh's latest effort "In Bruges" it is safe to say that he has redeemed himself.

In this action packed comedy, chosen as Sundance Film Festival's opening night selection, McDonagh, who served as both writer and director, keeps the bullets flying and the laughs coming with such comedy gold as Farrell karate chopping a midget (Jordan Prentice) in the neck.

Bruges may seem like an odd location for the setting of a film, especially one as wrought with vulgarity and violence as "In Bruges," but the city is just as important of a character as the film's stars. Located in the Flemish region of Belgium, the medieval city is a world heritage site as much of its architecture is well preserved. The picturesque city does not offer much more than sightseeing, and for some characters in the film this causes a problem.

After a botched hit, two contract killers from London, Ray (Farrell) and Ken (Brendan Gleeson), are sent to Bruges by their boss Harry (Ralph Fiennes) to lay low for a few days and await instructions. While Ken acts as a tourist and enjoys the sights and culture of the city, Ray is sullen due to the lack of excitement the city has to offer. After befriending Jimmy, a little person actor, and disregarding Harry's orders, Ray and Ken find themselves in a bit of trouble that allows for many laughs and plenty of violence.

The film takes off running right from the start. I am not one that particularly enjoys narration in films, but the brevity and sporadic nature of Ray's voiceovers allows the viewer to connect with the characters and dive into the action immediately.

The film's swift start sets the tone for the rest of the feature. There are no great lulls in the film. Most scenes have action or witty dialogue, and should a scene be lacking either, rest assured that the next scene will contain one if not both of the elements that make this film such a success.

Much of the success of this film can be attributed to writer and director McDonagh. Known best for writing Tony award winning plays, McDonagh's ability to combine hilarious dialogue with life threatening violence sets this film apart from others. The dialogue in the film is quick, witty and never feels forced. Farrell and Gleeson play so well off of each other that they truly become their characters. While the content of the dialogue is generally one liners from Ray, "In Bruges'" serious undertones questioning life, death and morality give the audience a better chance to relate to those onscreen.

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